Flea psycho 1998 movie#
In the same interview from above, Stefano explains that he got the job to write the movie for Hitchcock by centering the film not around Norman Bates–as the book had done–but to focus on the character of Marion Crane. He also wrote in for the character of Bates the fact that he eats Halloween candy throughout some big scenes. Stefano, in a interview about the making of original film, stated that “he didn’t like from the book because he was very unlikable.” In order for the movie audience to switch their empathy for Bates after he kills Marion Crane, Stefano made the character a slightly younger, thinner, neighborly type. In the book, Norman Bates is a middle-aged, fat alcoholic. Adapted from the lackluster 1959 novel Psycho by Robert Bloch based on a real-life Wisconsin murder (you can read about the book here), Stefano altered a few of the details for the film, particularly the main character. Joseph Stefanoīecause the 1998 film was a shot-for-shot remake, the screenplay was the same for both films. Van Sant didn’t have those restraints in 1998, but decided that a shot-for-shot remake was the way to go. The way the scene was directed with a lot of jump cuts heightened the intensity without revealing too much. Movies at the time didn’t have nudity at all. For a film famous for its shower scene where the leading female character Marion Crane is murdered, Hitchcock had to work around the restraints of not showing the actress naked. Van Sant didn’t need to copy even THAT for his version, did he?!įor Psycho, Hitchcock has the edge over Van Sant in the fact that Hitchcock was a pioneer in the way movies were made. Hitchcock makes a cameo in every movie he shoots. He didn’t have anything new to bring to the table for the remake he even went so far as to make the same cameo in his film that Hitchcock did for the original. A year prior to Psycho, though, Van Sant was nominated for an Oscar for Best Director for his film Good Will Hunting.
Gus Van Sant directed the remake in 1998 but, while not new to the film industry, he didn’t quite have the reputation that Hitchcock had. Moving away from movies featuring classic creatures like the Wolfman, Frankenstein, or Dracula, Hitchcock thought to make a film where the antagonist–in this case, Norman Bates–was more terrifyingly real and believable in a genre that could be easily labeled today as a psychological thriller.
He built up quite a resume of well-known films under his direction by this time, but Psycho stands out as a breakthrough film by showing the mass audience a different kind of horror film. The original movie was directed in 1960 by legendary director Alfred Hitchcock, famously recognized for his superb story-telling, particularly in the murder mystery genre…as well as for his famously rotund profile. SYNOPSIS: A Phoenix secretary steals a large sum of money from her employer’s client, goes on the run and checks into a remote motel run by a young man under the domination of his mother. This couldn’t be more true than for the first entry in our list, Psycho. “If it ain’t broke, don’t fix it.” You could tag this famous phrase on just about everything to describe why you didn’t change a thing from the original concept.
0 kommentar(er)
